The Giuoco Piano and Evans' Gambit
Giuoco Piano![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Levy/Keene, An Opening Repertoire for the Attacking Club Player Walker, Chess Openings for Juniors Various magazines and other books |
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Compared to that, I suppose the Giuoco
Piano is quiet!
But there is a variation to be avoided, which is
the Giuoco Pianissimo. That means 'very quiet
game'.
It looks like this:
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. Nc3 Nf6 5. d3 d6
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Why does this go wrong? Well, you should know that Plan
A in the opening (for
White and Black) is to play e4 and d4. If you both play
sensibly 1. e4 e5
2. Nf3 Nc6 3. Bc4 Bc5 White cannot play d4, so you
both continue sensibly
4. Nc3 Nf6 5. d3 d6. Which is where we came in.
If you really want to
play like this, see the last section, but I don't think
it's a good way to
play.
Knowing this can happen, you need to know the two great ways to avoid it, which lead to open exciting games.
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This is the main line of the Giuoco Piano.
The idea is to play c3, d4 and only after ...exd4,cxd4 do you play Nc3.
You then have your old-fashioned centre and good prospects of a quick attack down the centre or on the K-side.
I often call this Plan A.
Black can use the temporary weakness of e4 to play
4...Nf6 when it is
difficult to stop Black upsetting your plan a
little.
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This is the Evans' Gambit, the "gift of the gods to a languishing chess world".
After 4...Bxb4, 5. c3 Bc5 6. d4 you have gained a move on Plan A, although you are a Pawn down.
The Evans' is more dangerous than the Giuoco Piano - for both sides!
Enterprising chess players still occasionally trot this
one out at master
level: Bobby Fischer and John Nunn have played it with
success.
So, let's have a look at some ideas in these more
exciting lines. I'll show
you
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Central advantage: the Plan A pawn centre with good development. 8...Bb6 9. Re1
The Rook comes to e1, giving the King a Hard Stare.
9...Bg4
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10. Bb2 Qf6 11. e5 dxe5 12. dxe5
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12... Qf4 13. e6 Bxf3
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Not a bit of it! - Check stops everything.
Attack on f7 along the "Italian Diagonal"
14... Kf8 15. fxg8=Q+ Rxg8 16. Ba3+ Ne7 17.
Bxe7+
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The King caught in the middle.
Black resigns... 1-0
An exciting game!
Let's have a look at each of these ideas again in actual play, and how to play when you are Black.
IDEAS MAINLY FOR
WHITE
Develop
rapidly and take over the centre
You should know this idea already. Get your pieces out and fighting - if they are on the back rank you might as well not have them! And of course, they are most effective in the centre.
The way to take over the centre is with your e- and d-pawns. These pawns can make little steps down the middle towards the Black King, and on the way stamp on the toes of the Black pieces to make them jump out of the way!
Boleslavsky - Scitov
[C54 Giuoco Piano] (Moscow) 1933
The raid with central pawns
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4
exd4 6. cxd4 Bb6
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Time to develop a piece...
11. Bg5 f6
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White can win a piece, but:
13. Qe2+ Kf8 14. Bxh6# 1-0
Isn't that better than the Giuoco Pianissimo?
Morphy,Paul - Laroche,H
[Evans' Gambit, C52] Paris, 1859
The raid with central Pawns
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Now a little Pawn stab.
7. dxe5 Ng4 8. Bg5 f6 9. exf6 Nxf6 10.
e5
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10... h6 11. exf6 hxg5 12. fxg7 Qe7+ 13. Qe2
1-0
1. e4 e5 2. Bc4 Bc5 3. c3 Nc6 4. Nf3 Nf6 5. d4
exd4 6. e5 Qe7 7. O-O Ng8 8.
cxd4 Bb6 9. d5
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9... Qc5 10. Na3 Nd4 11. Be3 Nxf3+ 12. Qxf3 Qf8
13. Bxb6 axb6 14. Nb5 Kd8
15. Rac1
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15... d6 16. exd6 cxd6 17. Qe3 Ra6 18. Nc7
Qe7
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19. Ne6+! fxe6 20. Bxa6 Bd7 21. Bb5 Ke8
22. dxe6 Nf6 23. Rc8+ 1-0
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4
exd4 6. cxd4 Bb4+ 7. Bd2
Bxd2+ 8. Nbxd2 d5 9. exd5 Nxd5 10. Qb3 Nce7 11. O-O O-O
12. Rfe1
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Most of the Pawns have disappeared, but Black must be careful not to let the White pieces dominate the central squares and the e-file.
12... Nb6 13. Bd3 Bf5 14. Rxe7 Bxd3 15. Rae1 Bg6
16. Nh4 Nc8
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17. Nxg6 hxg6 18. R7e5 Qxd4 19. Nf3 Qd7 20. Ng5
Nd6
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21. Qb4 f6 22. Re7 Qb5 23. Rxg7+ Kxg7 24. Re7+ Rf7
25. Rxf7+ Nxf7 26. Ne6+
1-0
Morphy -
Hampton, H
[Evans' Gambit, C52] (London)
1858
The King caught in the
Middle
(and Central advantage):
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. b4 Bxb4 5. c3
Bc5 6. O-O d6 7. d4 exd4 8. cxd4 Bb6 9. Nc3
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Instead they used to rush with 9. d5 or hesitate with 9. h3.
9... Nf6 10. e5 dxe5 11. Ba3
Stops the Black King castling.
11...Bg4 12. Qb3 Bh5 13. dxe5 Ng4 14. Rad1
Qc8
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15. e6 f6 16. Qb5 Bg6 17. Bd5 1-0
This game was played as a 'friendly' game at Fine's house.
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"A little too greedy", said Modern Chess Openings, and Fischer agreed.
8. Qb3 Qe7 9. Nxc3
White has a massive lead in development. Now 9...Qb4 is the most awkward.
Fischer's reply does not lose time because Black must respond to the attack on the Queen, and, after the exchange, the Knight.
9... Nf6 10. Nd5 Nxd5 11. exd5 Ne5 12. Nxe5 Qxe5
13. Bb2 Qg5
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14. h4 Qxh4 15. Bxg7 Rg8 16. Rfe1+ Kd8 17.
Qg3
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This is a very famous game, published in newspapers all over the world at the time.
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In playing his next move, Anderssen must have seen the mate at the end. Superb!
19. Rad1 Qxf3 20. Rxe7+ Nxe7 21. Qxd7+ Kxd7 22.
Bf5+ Ke8 23. Bd7+ Kf8 24.
Bxe7# 1-0
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4
exd4 6. b4
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6... Bb6 7. e5 d5 8. exf6 dxc4 9. b5
Na5
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10. Qe2+ Be6 11. fxg7 Rg8 12. Nxd4 Bxd4 13. cxd4 Qxd4 14. Bb2
This move hangs on to the g-pawn, without which Black would be OK. It's still all very muddly!
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1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. b4 Bxb4 5. c3
Bc5 6. d4 exd4 7. cxd4 Bb6
8. Bg5 Nge7 9. Nc3 O-O 10. d5 Na5
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11. d6 cxd6 12. Nd5 Nac6 13. Nxe7+ Nxe7 14. Qxd6
Re8 15. Rc1 Ba5+
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16. Kf1 Kf8 17. Qf4 d5 18. Bb5 Bd7 19.
Ne5
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19... Bxb5+ 20. Kg1 f5 21. exf5 Qb6 22. f6 Ng8 23.
f7 Rec8 24. fxg8=Q+ Kxg8
25. Qf7+
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25... Kh8 26. Rxc8+ Rxc8 27. Qxd5 h6 28. Nf7+ Kh7
29. Qf5+ Qg6 30. Qxc8 Qb1+
31. Qc1 Qf5 32. Be3 Qxf7 33. Qb1+ 1-0
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4 exd4 6. cxd4 Bb4+ 7. Bd2 Bxd2+ 8. Nbxd2 d5 9. exd5 Nxd5 10. Qb3! Nce7 11. O-O O-O
12. Rfe1 c6 13. a4
Fritz knows about several alternatives here: h6, Qb6,Qb7, Rb8, b6 and so on. Littlewood's opponent found a new one, but the decentralising ...Qa5 does little towards getting Black's position sorted.
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The entry of the Queen decides.
19... Kf8 20. Nxe6+ fxe6 21. Bxd5 and Nxg6+ 1-0
This was one of eight games played blindfold by Paul -
that is, he
played by calling out moves to eight opponents, each of
whom had a board!
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4
exd4 6. cxd4 Bb4+ 7. Nc3 Nxe4
8. O-O Bxc3 9. d5 Bf6 10. Re1 Ne7 11. Rxe4 d6 12. Bg5 Bxg5
13. Nxg5 O-O
White now plays a break-up sacrifice.
14. Nxh7! Kxh7 15. Rh4+ Kg8 16. Qh5 f5 17. Re1 Ng6
18. Rh3 f4 19. Re6 Rf6
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20. Qh7+ Kf8 21. Qh8+ Nxh8 22. Rxh8+
Kf7 23. Rxd8 c6 24. Ree8 Bd7 25. dxc6+ Be6
26. Bxe6+ Rxe6 27. Rxa8 Rxe8 28. Rxe8 Kxe8
29. cxb7 1-0
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You may know the Fried Liver Attack - here is a version of it in the Evans' Gambit.
9. Nxf7 Kxf7 10. Qf3+ Ke6 11. Ba3 Bb6 12. Re1
Na5
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
13. Rxe5+! Kxe5 14. d4+ Ke6 15. g4 g6 16. Qe4+ Kf7 17. Bxd5+ Kg7 18. Be7 Re8 19. Qe5+ Kh6 20. g5+ Kh5 21. Bf3+ Bg4 22. Qg3 Qd7 23. Qh3# 1-0
This too was one of a number of games played by Morphy
without sight of the board.
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